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課程名稱 |
表導演專題：莎士比亞
Acting/directing Shakespeare |
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開課學期 |
107-1 |
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授課對象 |
文學院 戲劇學系 |
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授課教師 |
呂柏伸 |
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課號 |
Thea5619 |
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課程識別碼 |
129 U3310 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期一8,9,10(15:30~18:20) |
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上課地點 |
總一館118 |
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備註 |
初選不開放。首次上課甄選，甄選方式請見課程要求欄之說明。
限本系所學生(含輔系、雙修生) 且 限學士班二年級以上
總人數上限：20人 |
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課程簡介影片 |
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核心能力關聯 |
本課程尚未建立核心能力關連 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course is comprised of a series of introductory acting exercises designed to 1) help students familiarize with Shakespeare's language, knowing the distinctions between prose, rhymed verse and unrhymed verse; 2) provide students with different strategies to be used when speaking Shakespeare’s language.
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課程目標 |
This course aims to familiarize students with basic acting/directing skills required for how to do Shakespeare. Students will learn how to read Shakespeare’s text and how to build a character from there. |
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課程要求 |
甄選方式：
1. 請從以下指定莎翁劇本當中挑選其中一段獨白進行準備，劇本為《仲夏夜之夢》、《皆大歡喜》、《第十二夜》、《羅密歐與茱麗葉》。規定限選彭鏡禧、方平、楊世彭的翻譯本。
2. 請於9月5日前將獨白打下來寄給柏伸老師poshenlu@hotmail.com，並附上你的姓名年級。 |
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預期每週課後學習時數 |
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Office Hours |
備註： Monday 1310~1510
Tuesday 1210~1410 |
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指定閱讀 |
Block, Giles (2013), Speaking the Speech: An Actor's Guide to Shakespeare,
London: Nick Hern Books
Donnellan, Declan (2002), The Actor and the Target, Nick Hern Books
Noble, Adrian (2010), How To Do Shakespeare, London and New York: Routledge
彭鏡禧 (2009)， 與獨白對話:莎士比亞戲劇獨白研究，臺北:書林書局
Shakespeare's texts to be read, including As You Like It, Twelfth Night, Measure for Measure, The Merchant of Venice
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參考書目 |
Barton, John (1984), Playing Shakespeare, London: Methuen Drama.
Brown, John Russell (1996), William Shakespeare: Writing for Performance, London: MacMillan Press LTD.
- (1997), Free Shakespeare, New York and London: Applause.
Carson, Christie and Karim-Cooper, Farah (2008), Shakespeare’s Globe: A Theatrical Experiment, Cambridge Uni. Press.
Gurr, Andrew and Ichikawa, Mariko (2000), Staging in Shakespeare’s Theatre, Oxford Uni. Press.
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
Mid-Term Soliloquy Performance |
30% |
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2. |
Final Presentation - Scene work |
50% |
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3. |
平時作業 |
20% |
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週次 |
日期 |
單元主題 |
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第1週 |
9/10 |
The Audition |
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第2週 |
9/17 |
Course Introduction
7 basic elements you should learn to look out for in any passage of Shakespearean text |
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第3週 |
9/24 |
中秋節 Reading As You Like It and Twelfth Night |
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第4週 |
10/01 |
Soliloquy Text Analysis: Thoughts and Thought-units/Thoughts break |
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第5週 |
10/08 |
Building a Character- different strategies, Stanislavsky vs. Shakespeare |
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第6週 |
10/15 |
Shape and Structure: Playing Soliloquies (I)
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第7週 |
10/22 |
Shape and Structure: Playing Soliloquies (II)/Determining the purpose of a speech |
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第8週 |
10/29 |
Shape and Structure: Playing Soliloquies (III)/letting the verse empower you |
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第9週 |
11/05 |
Mid-term Presentation of Your Soliloquy |
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第10週 |
11/12 |
Reading Measure for Measure and Hamlet: A Duologue to work on |
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第11週 |
11/19 |
Dialogue: building tension, sharing responsibility, passing the ball |
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第12週 |
11/26 |
Scene work (1)
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第13週 |
12/03 |
Scene work (2) |
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第14週 |
12/10 |
Scene work (3) |
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第15週 |
12/17 |
Scene work (4)
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第16週 |
12/24 |
畢製劇場週 |
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第17週 |
12/31 |
元旦補假 |
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第18週 |
1/7 |
Final Presentation of your duologue scene |
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